Her (2013)

Storyline

Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS? Written by Bob Philpot

Director:

 Spike Jonze

Writer:

 Spike Jonze

Stars:

 Joaquin Phoenix, Amy Adams, Scarlett Johansson 

Box Office

Budget:

 $23,000,000 (estimated)

Opening Weekend:

 $260,382 (USA) (20 December 2013)

Gross:

 $25,556,065 (USA) (11 April 2014)

User Reviews

 

HER - a visually beautiful ode the technological age

16 December 2013 | by antesdespues (United Kingdom) – See all my reviews

Spike Jonze's latest feature 'Her', set in the not-too-distant future, tells the story of Theodore Twombly (Phoenix) who finds himself falling in love with 'Samantha', an advanced operating system voiced by the sultry Scarlett Johansson. It is clear to see why this film was chosen by the National Board of Review as the best film of 2013: the visual style and extensive use of pastel colours is a triumph in itself, and the acting, editing, costumes and screenplay are all worthy of recognition.

I went to an awards screening of 'Her' and was pleased to find out that the film was not at all what I was expecting. It has such a distinct style, and Joaquin Phoenix carries the film with tremendous grace as the complicated and sensitive protagonist. The film is mostly Phoenix alone with Johansson's voice (reminiscent of Sandra Bullock in 'Gravity' or Robert Redford in 'All Is Lost' - two other 2013 films mainly revolving around one solitary character), but the audience never feels abandoned by the lack of other characters as we begin to forget that 'Samantha' is just really just a computer.

'Her' is a complex film with a much deeper meaning that lies beneath the surface. A beautifully crafted motion picture, this quirky love story is sure to resonate with you once you've seen it. It is an extremely interesting (and realistic) look at the future - Jonze's quaint and poignant film is a must-see! 9/10

Silver Linings Playbook (2012)

Director:

 David O. Russell

Writers:

 David O. Russell (screenplay), Matthew Quick (novel)

Stars:

 Bradley Cooper, Jennifer Lawrence, Robert De Niro 

Storyline

Against medical advice and without the knowledge of her husband Pat Solatano Sr., caring Dolores Solatano discharges her adult son, Pat Solatano Jr., from a Maryland mental health institution after his minimum eight month court ordered stint. The condition of the release includes Pat Jr. moving back in with his parents in their Philadelphia home. Although Pat Jr.'s institutionalization was due to him beating up the lover of his wife Nikki, he was diagnosed with bipolar disorder. Nikki has since left him and has received a restraining order against him. Although he is on medication (which he doesn't take because of the way it makes him feel) and has mandatory therapy sessions, Pat Jr. feels like he can manage on the outside solely by healthy living and looking for the "silver linings" in his life. His goals are to get his old job back as a substitute teacher, but more importantly reunite with Nikki. He finds there are certain instances where he doesn't cope well, however no less so ... Written by Huggo

Box Office

Budget:

 $21,000,000 (estimated)

Opening Weekend:

 $443,003 (USA) (16 November 2012)

Gross:

 $132,088,910 (USA) (31 May 2013)

User Reviews

 

Most Enjoyable Film of 2012 So Far

23 October 2012 | by meggz3 – See all my reviews

I don't even know where to begin when it comes to this film. First of all, I think it's about time I profess my love for David O'Russell because he keeps making movies that I simply can't get enough of. If there's one thing I've learned this year when it comes to movies, it's find a director you love and follow him or her blindly. There's styles you'll love, and styles you'll hate, find the ones you click with and never let go.

Silver Linings Playbook has generated a lot of hype since its worldwide premiere at TIFF, and frankly, as far as I'm concerned, it deserves all the praise its received. It is by far the best film I saw at the festival, and is easily one of the most memorable films of 2012. Based on the novel by Matthew Quick, Silver Linings follows the life of Pat (Bradley Cooper) as he moves back into his parents' house after spending months in a mental institution because of a violent outburst that occurred after he found his wife with another man. The movie follows Pat as he attempts to get back his life back, but he meets a new challenge as Tiffany (Jennifer Lawrence, who is completely girl crush worthy) finds his way into his life.

I honestly can't remember the last time I enjoyed a movie more from beginning to end. O'Russell brilliantly tells a heartwarming, yet complicated and hilarious tale, that leaves you on the edge of the seat. The cast is wonderful, and all deserving of nominations in the 2012 award season. If people didn't know of Jennifer Lawrence before, they will now. She's quirky, complicated, hilarious, and you really just can't get enough of her. DeNiro also delivers a strong performance as Cooper's Philadelphia Eagle's loving, somewhat OCD father.

If there is one movie worth seeing this year, it's Silver Linings Playbook. The story may follow a family in a very serious situation, but we can all identity with the truth and emotions that comes with struggling through times. It's a story that's easy to connect with, and it's a film that will make you smile from beginning to end. Catch this movie when it comes out in November, and I promise you, you won't regret it.

Slumdog Millionaire (2008)

Directors:

Danny Boyle, Loveleen Tandan

Writers:

 Simon Beaufoy (screenplay), Vikas Swarup (novel)

Stars:

 Dev Patel, Freida Pinto, Saurabh Shukla

Storyline

The story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India's Kaun Banega Crorepati? (2000) (Who Wants To Be A Millionaire?) But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show's questions. Each chapter of Jamal's increasingly layered story reveals where he learned the answers to the show's seemingly impossible quizzes. But one question remains a mystery: what is this young man with no apparent desire for riches really ... Written by Fox Searchlight Pictures

Box Office

Budget:

 $15,000,000 (estimated)

Opening Weekend:

 $360,018 (USA) (14 November 2008)

Gross:

 $141,319,195 (USA) (22 May 2009)

User Reviews

 

A stunning achievement: The best film of the year and one of the most exhilarating film-going experiences

3 November 2008 | by anhedonia (Planet Earth) – See all my reviews

I won't see a better, more exhilarating movie this year than Danny Boyle's "Slumdog Millionaire." If Academy voters have any sense, they will nominate this for Best Picture and Best Director and then vote overwhelmingly for it for both awards.

Boyle has taken what is essentially a story about a young man on India's version of "Who Wants to Be a Millionaire?" and transformed it into a gritty, realistic, powerful and, at times, gut-wrenching fairy tale. It's a Dickensian picture about a world rarely, if ever, seen in mainstream movies, a film that grabs us from the opening frame and doesn't let go until the credits roll at the end.

This is why I love movies. Films like "Slumdog Millionaire" are rare. They are things of beauty, works of art that make me fall in love with movies all over again. Boyle has done it twice. First with "Millions" (2004), which also, coincidentally, was about a young boy and money; and now with "Slumdog Millionaire."

This is Boyle's masterpiece - a stunningly original piece of film-making.

Every once in a while there is a sleeper film, usually an independent movie, that comes along, takes everyone by surprise, then gets terrific word of mouth and becomes a huge success. "My Big Fat Greek Wedding" (2002), "Little Miss Sunshine" (2006) - though I did not care much for it - and "Juno" (2007) are such films. But, frankly, those films can't hold a candle to "Slumdog Millionaire."

What might surprise many viewers is that a third of the dialogue is in Hindi. (And Boyle's placement of subtitles on the screen makes such good sense!) Please do not let that dissuade you from seeing this marvelous film. Do not let the R rating prevent you, either. What was the MPAA thinking? Honestly! There are far more offensive, vulgar and violent movies that are rated PG-13. "Slumdog Millionaire" should never have received an R rating. (This film should be mandatory viewing for young people, especially those in industrialized nations.)

Simon Beaufoy's script was originally entirely in English, but Boyle's decision to have the Indian kids speak in Hindi, instead, is the right call. Having the children speaking in their native tongue makes perfect sense, especially because Boyle and Beaufoy depicts the realism of the kids' lives.

That's what incredible about this film. Boyle and Beaufoy do not shy away from showing the squalor of Bombay. These kids live in deplorable conditions amid the grime, sewers and trash dumps of the slums. And, yet, thanks of Boyle true ingenuity, he creates uplifting and even humorous moments in the slums. There is one moment - and I shan't spoil it for anyone, but you will know it when you see it - that very well might be my favorite film moment in the last five years.

Boyle doesn't do a thing wrong here. From his choice of actors to the music to his choice of colors, Boyle works his magic.

The performances are uniformly good. Irrfan Khan finds the right balance between a tormentor and a quasi-father figure as the police officer. There's young Dev Patel as Jamal, playing with confidence, bringing a wonderful swagger to his role, as well as a sense of fear that we completely understand. Freida Pinto as the love interest is superb. And, of course, there are the three young 'uns. Perfectly cast, they actually make the film work. Their performances as Jamal, Salim and Latika are so utterly convincing that they completely draw us into the picture and make the jobs of the older actors playing them much easier.

"Slumdog Millionaire" is, I suppose, a dramatic comedy at heart. But it is also much more. It is a film about friendship, gratitude, love, betrayal, poverty and hope. It makes you laugh, weep and cheer as you can't help but marvel at Boyle's sheer genius.

The film moves along at a breakneck pace, yet none of the cinematic flair - and there is plenty - seems superfluous. Everything Boyle does, including the Bollywood touches, makes sense. There's such a brilliantly kinetic energy to this film that it is impossible not to be enthralled by it.

What Boyle has done is truly miraculous. He has turned a film about street life in Bombay into a visceral, genuine crowd-pleaser. And you will walk out of the movie theater feeling inspired and hopeful, knowing you've just seen something very special.

"Slumdog Millionaire" is not to be missed. It is the best movie of the year. And it is, without any doubt, one of the ten best films of the decade.

Titanic (1997)

Director:

 James Cameron

Writer:

 James Cameron

Stars:

 Leonardo DiCaprio, Kate Winslet, Billy Zane

 

Storyline

84 years later, a 101-year-old woman named Rose DeWitt Bukater tells the story to her granddaughter Lizzy Calvert, Brock Lovett, Lewis Bodine, Bobby Buell and Anatoly Mikailavich on the Keldysh about her life set in April 10th 1912, on a ship called Titanic when young Rose boards the departing ship with the upper-class passengers and her mother, Ruth DeWitt Bukater, and her fiancé, Caledon Hockley. Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game. And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.

Box Office

Budget:

 $200,000,000 (estimated)

Opening Weekend:

 $28,638,131 (USA) (19 December 1997)

Gross:

 $658,672,302 (USA) (8 June 2012)

User Reviews

bravo

9 August 1998 | by Jasson Cresanto (ragesaint@aol.com) (Atlanta, GA) – See all my reviews

Firstly and foremostly, I am a guy, which (in most cases) means I did not go see Titanic to see DiCaprio...although I think he can be a great actor. Reading through earlier comments, i grew a bit weary of hearing about lame script and shallow characters. I went to see a ship sink...the plot and the characters were, at least to me, a kind of icing on the Cake. I actually think a lot of the characters were done well; that is, by the time they die in freezing water, you actually felt a tinge of sadness for them. But , by the time Titanic was over, I was sufficiently moved to make me tell people that it was a great movie. Kate Winslet was good, Kathy Bates was perfect, Leo was ok (I'll give you people that - I've seen him shine like I know he can ... Basketball Diaries, Romeo & Juliet). But ultimately, the Titanic sinks...and it was absolutely stunning. Bravo to Cameron. He didn't just show us a large ship sinking, he showed us the back half of it crashing down on a hundred freezing, drowning people; he showed us a third class mother attempting to sing her children to sleep because she knew they were all doomed (broke my heart - i cried the most right there at that point), he showed people who worked extremely hard to get OUT of the bowels of the ship only to be sucked back in when a random window shattered and the water carried them on back in...detail. I like detail in a movie. Very impressive job.